1/30/2024 0 Comments D flat major equivalentIn fact, I simply can’t work like that, so I have to ignare the notation of the Key Editor - which is a pity. I find it very confusing, all the time having to “translate” flats into sharps. The diatonic tones of a tonality form a kind of “family”, and most composers thinks within those “families”. I hope many of you agree with me that it’s a constant burden, having to write music in this way, always having to “translate” the right flat not into its incorrect “equivalent”. Instead it wants you to act as if the E flat major scale is: D sharp, F, G, G sharp, A sharp, C, D, D sharp, etc. But the Keyboard Editor doesn’t work in this way. The scale of E flat major is: E flat, F, G, A flat, B flat, C, D, E flat again, etc. A scale is the sequence of consecutive diatonic degrees, which implies that those are all different notes, regardless of whether they are natural or altered. One can NOT simply replace the flat notes in a scale by the “equivalent” sharp notes. Each tonality has its own key signature, some with sharps, others with flats, following the circle of fifths, which is derived from physics. As you probably know, every tonality has its own scale, a repeating sequence of 7 consecutive notes, where the 8th note is the reprise of the first, but one octave higher, etc. Looking at the different tonalities, one can not do without flats. I reckon that this is the reason that there are no flats provided in the key editor: “It’s the same note, after all” Of course, on many instruments B flat is played with the same key as A sharp, E flat with the the same as D sharp, etc.
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